See the shoot before you shoot it.
Pre-visualization and animatics turn boards and script pages into moving sequences — so you can plan coverage, blocking, and budget with pictures, not guesses.
What we plan
PRE-VIZ
Sequences, blocking, and key beats as moving images — so the shoot day is a confirmation, not an experiment.
ANIMATICS
Boards in motion with timing, camera moves, and sound — the edit’s rhythm, established before you roll.
SEQUENCE PLANNING
Coverage and budget planned against moving pictures — the expensive part of the day, de-risked in prep.
How it works
- BRIEF US
Send the script, treatment, logline, boards, or references — whatever stage you’re at. Approved assets only.
- WE DIRECT THE PIPELINE
Shots composed, sequences built, pacing set, scored and color-graded — the choices an editor and a colorist would make, not a model dump.
- REVIEW
A directed first cut through a private review link, addressed by shot, with revisions on higher-touch engagements.
- OWN IT
Full ownership of the finished, gradable files — every frame generated through licensed, indemnified pipelines and assigned to you.
Questions
What is pre-visualization?
Pre-viz turns boards and script pages into moving sequences, so you can plan blocking, coverage, and budget with pictures instead of guesses — before the shoot.
What’s the difference between an animatic and a storyboard?
A storyboard is stills; an animatic puts them in motion with timing, camera moves, and sound. We build both, from the same boards or script.
What do you need to start?
Boards, a script, or even a logline and references. We work from whatever stage you’re at.