The trailer, before the shoot.
Cut-driven trailers and teasers for films, series, and projects that don’t exist yet — paced, scored, and graded to put in front of a studio, a festival, or an audience.
What we cut
TEASERS
30 to 90 seconds to claim the date and plant the premise — built to survive as a social clip and start the conversation.
FULL TRAILERS
The 90-second-to-2:30 sales pitch: story shape, characters, and stakes, scored and graded to convert interest into intent.
CAMPAIGN VARIANTS
Alternate cuts, aspect ratios, and platform edits — A/B test the campaign before you commit the spend.
How it works
- BRIEF US
Send the script, treatment, logline, boards, or references — whatever stage you’re at. Approved assets only.
- WE DIRECT THE PIPELINE
Shots composed, sequences built, pacing set, scored and color-graded — the choices an editor and a colorist would make, not a model dump.
- REVIEW
A directed first cut through a private review link, addressed by shot, with revisions on higher-touch engagements.
- OWN IT
Full ownership of the finished, gradable files — every frame generated through licensed, indemnified pipelines and assigned to you.
Questions
Can you make a trailer for a film that hasn’t been shot yet?
Yes — that’s the core of it. We generate cut-driven trailers and teasers from a script, logline, or look-book, so you can test and sell a project long before principal photography.
How fast is a trailer compared with a traditional promo?
Much faster — there’s no stage, crew, or shoot day to book. We scope the smallest engagement that proves the idea and deliver through a private review link, typically in days to a couple of weeks depending on scope.
Do I own the finished trailer?
Yes. You receive a finished, gradable cut with full ownership of the deliverables, generated through licensed, rights-safe pipelines.